Thursday, 4 December 2014

How to Preserve and Store your Precious Saris and Ethnic Dress Material-1



The following material is summarized from a brilliant Phd thesis submitted by Kirti Manek. 

Humidity and temperature affect textiles the most. A high relative humidity leads to the fibers absorbing water and become swollen and low relative humidity causes the fibers to give off the moisture. This leads to abrasion and in presence of dust particles it becomes even more detrimental. It can also initiate dye yellowing, bleeding and natural browning of the fiber. High humidity will lead to moth and mildew activity. 

http://shodhganga.inflibnet.ac.in/bitstream/10603/7513/14/14_chapter%203.pdf


Silica gel placed inside the cupboard can normalize the relative humidity. Quick lime lumps can also be used for dehumidification. One can also use sufficient quantity of cotton hidden inside concealed cases; cotton being hydroscopic, will absorb the moisture. All the measures as given above can reduce humidity. 

Light affects both dyes and fibers. It fades the dyes and degrades the fibers. Prevent the textiles from getting exposed to light until absolutely needed. 

Silver fish, cloth moth, cockroaches, termites are some of the insects that can damage the textile fibers. Silver fish feeds of starch present in the fibers- left over of sizing and starching. Damage by cloth moths is done by their caterpillars after coming out of eggs. Carpet beetles feed on wool and silk, they leave neat holes in the cloth with powder of the same color.Cockroaches stain the textile material with their excreta. Termites feed on anything made of cellulose. Even microbes such as fungi, algae and bacteria can discolor the textiles and reduce its performance properties. 

Use napthalene balls. One can use dhoop ( Guggal) or Ashwagandha to prevent from insects. One can use liquid insecticides and all storage drawers can be treated with those. Vacuuming the textiles and dry cleaning it will keep it free from microorganisms. 

Will continue in the next Post



Tuesday, 2 December 2014

Technical Specifications of Some Popular Synthetic Fabrics-2



Dechine Dress

Warp of dechine dress is 50/36 bright sized polyester while weft is 75/36/3150 semi dull crimp polyester. Total Ends are 6000. Reed x Pick is 80 x 3 x 80. The weight is 75 Grams per linear meter.

Fuji Chiffon

Warp of Fuji chiffon is 30/12/1000 Bright flat polyester while weft is 50/36/2800 semi dull flat polyester. Total Ends are 6100. Reed x Pick is 100x2x84. The weight is 52 Grams per linear meter.

Silver Matt

Warp of Silver Matt is 84 x 34 x 400 semi dull crimp polyester while weft is 84/34/'0' twist Semi dull crimp polyester. Total Ends are 4080. Reed x Pick is 80 x 2 x 80. The weight is 79 Grams per linear meter.

Bolting Cloth

Warp of Bolting cloth is 30/1 semi dull mono polyester while weft is same as warp. Total Ends are 7360. Reed x Pick is 280x1x140. The weight is 51 Grams per linear meter. 

Metal Chiffon


Warp of metal chiffon is 30/12/1000 Bright flat polyester while weft is 50/54/2800 cationic polyester. Total Ends are 6080. Reed x Pick is 100 x 2 x 88. The weight is 55 Grams per linear meter.

Nara Chiffon

Warp of Nara Chiffon  is 30/12/1000 Bright flat polyester while weft is 30/12/1000 Bright flat polyester. Total Ends are 6736. Reed x Pick is 104 x 2 x 92. The weight is 46 Grams per linear meter. 

Technical Specifications of a Pure Crepe Silk Saree



The following is the technical specification sheet of a pure crepe silk saree as mentioned in one of the tenders invited by Air India.

http://aviatorflight.com/worlds-best-looking-cabin-crew/

Friday, 28 November 2014

Ilkal Saree



http://www.stylefile.in/2013/10/handloomsofindia-stylefile-giveaway.html



1.These are manufactured with art silk or silk warp. They can have cotton or silk weft.

2. Body warp and Pallu are woven separately

3. The Pallu and border warp are joined in loop technique, it is locally known as Tope Teni. 

4. Weft is inserted using Three shuttle technique known as Kondi. 

5. The origin is from the town of Ilkal, in the Bagalkot District of Karnataka, India.

6. The unique feature of Ilkal saree is it's pallu that consists of contrast color (in this case red and white) alternate stripes woven in pure silk. 

7. These are worn in Northern Maharashtra and Karnataka.

8. The particular arrow border is called Gomi



http://handloomsofindia.com/purple-ilkal-saree.html

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